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The Lanyard Bird, mascot of Bright Margins. Illustration by Nicholas Blackmore.
Bright Margins

Broadsheet ambitions on a zine budget

The Lanyard Bird, mascot of Bright Margins. Illustration by Nicholas Blackmore.
Bright Margins

Broadsheet ambitions on a zine budget

  • Personal history
  • By My Lights
  • Back Issues
  • Variety Pack
  • About
Buffalo II (1964) by Robert Rauschenberg with three members of the Blackmore family in the foreground. On the left, Quick Snack (1963) by Wayne Thiebaud. On the right, The Last Civil War Veteran (1960) by Larry Rivers. Living room of Buddy Mayer’s penthouse. Photo from Bmore family collection. Artwork from the Robert B and Beatrice C Mayer Family Collection. All artwork depicted under Fair Use allowance. No copyright infringement intended.

The $88M masterpiece and the private penthouse gallery

Personal history

I’ve visited impressive galleries of all sizes over the years. But none of those collections – not the National Gallery, not the Louvre nor MoMA – delivered an experience as unique and memorable as the gallery I visited in late December 1999. This collection wasn’t open to the general public. It no longer exists. It […]

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Two pints of lager on a pub bar. Photo by Nicholas Blackmore.

Laundering pranks for Lads’ Night Theatre

Personal history

The moment I walk through the door, I can sense something is awry in the gents toilets. I know this thanks to years of hard-won experience. Every man of my generation was expected to learn the skill of navigating a pub toilet successfully. Perhaps the trend to gender nonconformity and unisex toilets will one day

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Inlay image of Siobhan Fahey and Marcella Detroit from 1992 cassette copy of the album Hormonally Yours by Shakespears Sister. Released by London Records. Used according to fair use principle.

Shakespears Sister, The Thrills and other musical flings

By My Lights

Why do we only have a short-term relationship with certain artists? I’m not talking about one-hit wonders: those individuals who produced a memorable hit and whose follow-up single is only recalled by pop-culture trivia buffs.  I mean those performers, many of whom – at least in the pre-streaming era – captured our attention and returned

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A broom next to a few stray pigeon feathers. Illustration by Nicholas Blackmore

Revealing the uncanny contents of Pigeon.doc

Personal history

If you write a lot, and if you have an extreme tendency to preserve your past work, then you will encounter an uncanny feeling from time to time.  It’s the contradictory sensation of reading something utterly unfamiliar, while armed with the rational knowledge that you certainly wrote the words on the page. Maybe it’s a

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An illustration of a cassette, a mix tape, given from one lover to another, the tape itself spools out to form a trough that a figure is negotiating. Illustration by Nicholas Blackmore.

A Mixtape and the Trough of Longing

By My Lights

I received my final mixtape in 2005. In those days, receiving a cassette already felt slightly quaint, if not yet anachronistic or performative.  Still, you could hand it over with some confidence that the recipient could find a way to play it, on a compact kitchen stereo or an exhumed walkman. This romantic mixtape was

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An image of a man’s hand holding an iPhone playing the Mitski song Working for the Knife from the album Laurel Hell, to illustrate an encounter in a dream. Photo by Nicholas Blackmore.

Dream Diary: Lost backpack, Mistki melody

Variety Pack

I’m on my way home when I realise that I’ve left my backpack behind somewhere. Even in my dreams, I’m always fussing with my belongings – checking and double-checking that I have everything with me (wallet, keys, mobile, headphones, mask, gum).  In an ironic twist, my adherence to these frequent ritualistic checks has led me

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A digital billboard with a glitched advertising image, used to illustrate the idea of digital bathos: a customer-facing digital display that fails to have the desired effect, with mildly comic results. Photo by Nicholas Blackmore

Digital Bathos: the petty joys of public glitches

By My Lights

Last year I started another strange collection. I began to look out for instances of what I thought of as ‘digital bathos’.  That is: moments where a customer-facing digital display fails to have the desired effect, with mildly comic results. Misaligned and glitching messages on public transport always brought a weird satisfaction. Then I began

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An abandoned baby doll resting against a tree trunk in the rain – the gutter baby. Photo by Nicholas Blackmore.

London Lucky Dip: Gutter Baby and Discount Prospero

Personal history

In which I make a series of disturbing discoveries on the way to the shops, and witness a surreal, theatrical dispute on the streets of Wimbledon… The pavement is deserted and dark at 5pm, slick with rain, which is falling in a light haze. Below the curb, between two parked cars, I spot a large

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Collage of images relating to Sam Shepard's career. Images from Motel Chronicles (Johnny Dark), from True West (1984) and from Paris Texas. Shared under fair use principle. Collage by Nicholas Blackmore.

Sam Shepard road trip: Super Cowboys and Strange Motels

Back Issues

Sam Shepard often seemed more of an American myth than a man. His short, surreal prose pieces both unpack and undermine that frontier persona… “He’s like a Sam Shepard character.” This, somewhat recursively, is how I first heard Sam Shepard described. I knew nothing of his work until I heard theatre critic Mel Gussow explain

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A tearoom waitress that appeared in a dream – she wears a practical black ‘Nippy’ uniform, undermined by fussy embellishments: four long white bows that are fastened at the shoulders and the hips, and with blouses feature impractical bell sleeves that flare from the elbows. Illustration by Nicholas Blackmore

Dream: Clumsy waitress, nuclear terror and innovative canapés

Variety Pack

This hotel had it all: a whimsical tearoom calamity, truly ingenious canapés, low-yield nukes, and an unnerving descent into the earth… I: The tearoom My journalistic impulse is nagging at me. I’m acutely aware that I need to come up with a story, or a hook at least. I have to record something, to capture

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